DOP in Nepal | Josh Herum, US cinematographer who worked for Nepali films, says they need to focus on originality

Josh Herum, an American Director of Photography (DOP), stands out as a rare foreign talent in Nepali cinema, having contributed to two significant Nepali feature films. Initially commencing his career in 2014 with documentaries and short films while freelancing as a cinematographer, Herum ventured into Nepali cinema, notably working on 'Gau Aaeko Bato' and 'Fulbari'. During Fulbari's premiere in Nepal, Onlinekhabar engaged with Herum, discussing his experiences in Nepali cinema and his perspective on steering Nepali films toward the global stage.

Collaboration in Nepali Films: Hired for 'Gaun Aaeko Bato' initially, Herum later joined 'Fulbari' upon recommendations. Each film offered distinct experiences; 'Gaun Aaeko Bato' delved into rural life in Bhojpur, while 'Fulbari' captured contrasting tales in Kathmandu and Ilam. Despite diverse narratives, Herum cherished collaborating with the Nepali crew and actors in both films.

DOP in Nepal

Fulbari Premiere and Cinematography: Having witnessed Fulbari's premiere, Herum praised its compelling storytelling, blending comedy and tragedy. Notably, audiences lauded the cinematography and lighting, assuming the use of natural light. However, Herum clarified employing substantial artificial lighting, aiming for a natural appearance while employing specific lenses for a unique visual depth.

The Role of Cinematographer/DOP: Discussing the role, Herum emphasized the camerawork's significant role, serving as an observer in 'Fulbari' while maintaining a close relationship with actors to capture ideal shots.

Cinematographer vs. DOP: Herum perceives no distinction between a cinematographer and DOP, considering both synonymous, primarily focusing on the visual aspect without significant disparities.

Advice to Aspiring Cinematographers: Encouraging young talents to produce short films, Herum advocates for continuous improvement and visibility, sharing his journey of growth to attract opportunities.

Reaching the International Stage: While acknowledging the potential of select Nepali films for international recognition, Herum advocates authenticity, urging Nepali cinema to carve its niche, stay true to its culture, and avoid imitating Bollywood, suggesting originality as the path to global acclaim.

Source : https://english.onlinekhabar.com/josh-herum-on-nepali-films.html